Our film on Jay-Z

Life, Multimedia, Music, TV No Comments

Last year one of the first films I worked on from start to finish at Isis was our Classic Albums film on Jay-Z’s 1996 debut, Reasonable Doubt.

I’m pleased to say that the long awaited UK Premiere is tomorrow, on BBC Two, Friday 4th July at 23.35hrs.

As far as I’m aware I’m credited as Production Assistant, which entailed helping to get all the parties together. This year my work has started to develop - I’ve been developing my own ideas for shows, starting to pitch them to broadcasters and developing partnerships with other organisations.

And of course one of the exciting areas I’m working in is where collaboration and the culture of the web can meet and cross-fertilise with some of the qualities that long-form film and broadcast bring to the table. Qualities which I hope are evident in our film on Jay-Z.. Let me know in the comments box!

I’ll update this post when I know its URL Sorry to say, this won’t be on BBC’s iPlayer but is available on DVD if you would like to see it.

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Simulcast application

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Zattoo is another of those funkily named web 2.0 applications - but this one is different, as rather than being a mashup or a social network, this is basically a television on your computer. It’s New Media does Old.

I’m currently watching a simulcast of the England football friendly against the USA: John Terry has scored, and despite the low resolution which makes it look a little like a football sim game, I’m enjoying the experience. In fact, I’m really pleased for him after a painful final against Manchester United!

Let me be clear; I pay the license fee with pride as I have come to greatly value the BBC’s contribution to society (and they commission some of our films), but the convenience and portability of an app like this make it much easier to keep in touch with the key programmes currently showing. I’ve been using the BBC’s iPlayer a lot since its launch on Christmas day 2007, and that is great for catching up, but Zattoo just might put some of the live and shared experience back into telly for me, and particularly as my USB card seems to have ceased working. This works, and well.

It is said that the business model is somewhat unstable, as essentially Zattoo is rebroadcasting channel’s output over IP; they may not get away with it for long - or may have to charge subscriptions in order to make financial arrangements with the broadcasters. The commercials, the idents are also streamed, and the application doesn’t facilitate downloading or time shifting, so you’d have to ask, apart from a loss of control, what’s for the broadcasters not to like?

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What next?

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Here ot there team in a telephone box

This morning I attended a gathering of the great and the good, and listened to three very interesting New Media pioneers speak about possible futures, courtesy of Policy Unplugged: Kevin Anderson, Blogs Editor of The Guardian, Jeremy Ettinghausen, Head of Digital Publishing at Penguin books, and Matt Locke, Commissioning Editor for Education for Channel 4. It all happened at a rather fun and progressive feeling members club, and coffee and croissants were in abundance, so I was happy.

Jeremy kicked off by asking, when everyone is a publisher, where are the editors? I’m sure Clay Shirky would have something to say about that!

He whet our appetite by declaring that he would be ‘very surprised if there wasn’t a major consumer electronics company releasing an eBook this year’ - something he has wanted to believe since 2001, but without actually telling us anything of a sensitive nature, he thinks this year it will happen.

Wheras 10,000 people bought the Rocket ten years ago, and sales stopped there, the question is, is there now a mass market potential for an eBook? How much are people going to pay for a book so that Penguin can support the development of new work? DRM is a non-issue if the user experience is a happy one, people will pay for it (witness the phenomenal success of iTunes)

Beyond finding a business model that will work for publishing however, where the internet has changed things is in our reading habits. Where movable type gave rise to a linear experience of reading - and mode of thinking - he cited evidence that shows hypertext has given rise to a centre-out way of scanning webpages, and suggested that this may have had a corresponding effect on the way we think.

Ultimately, publishers must begin to see themselves as distributors of ideas, rather than books. Storytellers will win, but win what? Asked about audiobooks, Jeremy outlined his vision of the integrated book, where you can go from a paper-like eBook experience, to a car journey (where the audiobook picks up where you left off), to the laptop where you can carry on reading from the screen. A few years off perhaps, but a compelling vision for the industry; and more importantly, the consumer.

Kevin Anderson picked up and riffed on the familiar theme of the Death of Newspapers, stating his aim thus: ‘To take the tools that are disrupting the industry, and applying them to our journalism’

Other sources of journalistic content have turned the old business model on it’s head by making full use of new, and open source technologies, slashing costs in the process. When the cost of experimentation (and potential failure) is so low, it’s possible to ‘fail forward’ - let the successful experimentation pay for the failures.

The Guardian group has experience confirming customer loyalty: Kevin cites the Observer Music Monthly and Observer Food Monthly as examples of journalism which attracts a dedicated and committed community - and which can then presumably feed an advertiser funded business model.

Kevin’s media equation of paper = passive wheras online = active may be a little simplistic, but in the new models, it’s undoubtedly community and connectability which is the name of the game. How else are you going to inspire loyalty from your audience in an age of such varied choice?

Matt Locke has made a name moving Channel 4’s six-million pound education budget off the television online, with the aim of utilising the spaces where his target audience hang out, sites such as YouTube and Bebo, as the medium for his slate.

With an abiding interest in futurology, Matt amusingly prefaced his talk with the suggestion that if you ask a bunch of thirtysomething geeks to discuss ‘What’s next?’, you’ll doubtless hear of futures in which geeks have really cool jobs.

Citing Gilbert Scott’s telephone box as a classic consensual architecture of the Private, he notes that the first device that really dissolved the old world division of private and public was the mobile phone. Now public and private are navigated - somewhat awkwardly so far - by body language (that look which says ‘I may be walking down the street, but I’m having a private conversation!’), and interventions such as that odd yellow crosshair you find in front of cash machines, and which people will walk around even if no-one is using the machine!

The Private and Public are rapidly eroding, if they’re not already over: they have been replaced by the Personal and the Social. Spaces on the internet often find themselves somewhere in between the two; witness blogs, which are often written with friends of the author in mind; Facebook, where the dividing line is particularly mysterious; and MSN (a popular chat client), where young people have been seen to develop complex and subtle gradations of contacts (eg. ‘friends’, ‘family’, ‘bitches’, ‘wankers’, ‘possible future boyfriends’, etc.), reflecting their developed awareness of their selves in the social web.

Matt suggests that the great contribution of such spaces is not choice (young people think nostalgically of a time where there were only four channels), but voice. Many of his young audience cannot imagine a time where one had to have permission to speak in a public realm (eg. by writing to a newspaper).

So the technologies that will take hold will be, like the text message, MSN or (potentially) Twitter, above all playful, and vernacular. Whilst in any social space, real or virtual, there will be problems (eg. bullying or just simple embarrassment), new technology will take hold not by dictating communication, but by facilitating it.

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Me + You = 5; Dance as Opera

Life, Multimedia, Review 3 Comments

A balloon under Waterloo BridgeTonight London was sparkling as we walked back from Euston to Charing Cross. A friend had invited me to Robin Dingemanslatest dance piece, “Me + You = 5″ at The Place, and earlier, as I took my seat, the lights had fallen to an empty stage. A single balloon wandered on, dancing to it’s own breeze-inspired rhythm. The seconds passed and another balloon joined it. Then there were three, four and so on until thirty dancing balloons filled the stage. I seriously wondered if people would figure in this piece at all, so well did they assert their presence. The screen read “We are here - Because - We are here - Because..”

As the lights came up, what seemed to be a single person with two heads was revealed, lying, in the centre of the stage. Slowly the figure shifted about, and the two performers comprising it moved themselves around each other in incredible intimacy and understanding, like living clay being moulded. This was the beginning of an epic, uninterrupted hour long and hugely energetic piece which very beautifully and humanely described the cycle of relationships; from an initial touch of magic (the balloons) through a honeymoon period (inseparability), and later stages of strife, deeper understanding - to the very end of human lives.

It was intensely moving to see these two performers and choreographers, Joanne Fong and Robin himself, mine their personal experience for the benefit of the audience in such a visceral, accomplished and, above all, inventive way. Woman and Man were represented here in their strength and weakness, vitality and insecurity, against one of the great human narratives. This was dance assimilating theatre, using set, props, music and live sound, text, lyrics, video, and voice to great effect, entwining physical metaphors in a multimedia collaboration which went beyond my previous experience of the potential of the medium of dance. This was Dance as Opera, an immersive and complete work which moved me deeply.

Had I spoken for longer with the director, I would love to have asked if he had a position on the potential for humans to know each other or to love. To my mind, the latter half of the piece portrayed a vision of a compromised domesticity, in which the protagonists fail to move beyond their fractious problems into true, mature relationship; where individuality is nurtured and where human weakness can be acknowledged and accepted - but not allowed to define togetherness as somehow alienated.

Did you see the piece? What did you make of it? And which were your favorite moments?

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Photo courtesy of AdelaideAsleep

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A guide to the freaking internet (Part I+II)

Life, Multimedia 2 Comments


I had a conversation about the whys and why-bothers of blogging with my dad and step-mum (they don’t get it) - so this post’s for them.

Amusingly, he related an anecdote of when he tried to explain to my grandmother what an email was..

“It’s like a telegram” he said.
“Where does it go?”
“Down the telephone wire”
“How does it fit” (tricky one)
“The same way you fit your head down the line when you have a conversation” I suggested.
“How do you finish it?”

OK, you got me there.

Anyway, I was asked to recommend a couple of favourite blogs.. so here goes:
PostSecret for its often incredibly moving anonymous confessions on a postcard. BoingBoing, just because I so enjoy the way it entertains, but deals with significant issues at the same time - a great combination, if an acquired taste.

I mentioned the idea that blogging can be like the comment section of the newspaper (my favourite bit incidentally) - you simply read the journalists you like or find stimulating, and ignore or give short shrift to those you don’t.

The rule is simple - if you aren’t interested in what a blog has to say, move on. Life is too short. But as with anything in life, if a friend has recommended it to you, give it a go!

Part II

So then you get into a really interesting area.. whose recommendations do you trust, and whose do you jettison?

The answer is simple, you go with those people with whom you share tastes. And here we are in luck, because recently a whole raft of ‘recommendation engines’ have been created. My fave is del.icio.us which allows you to save your favourite web pages, along with tags to describe them. From there it’s easy to browse your, or anyone else’s favourites; by tags, or in their collection’s entirety.

(Favourites are are also sometimes known as bookmarks, in a nod to their analogue, well, analogue.) Del.icio.us, digg, and reddit are three of the most well known such sites.

Search engines (such as Google) often rank sites on the number of links that point to them, giving the top spots in a search result to those that have the most. Each time someone creates a favourite, by doing so they create a link.

And that is how the users of the web are helping to map and chart it, as we surf.

Lastly, and going with the wisdom of the crowd for a moment, there is a great site to see what is most popular over the entire web at any one moment: popurls, which aggregates and presents the top ten pages from a variety of sites, including many of those mentioned in this article. Have a quick look there and you’re sure to find some fascinating, wierd or informative web pages.

So you found a great site.. all you need to do now is recommend it to others

photo courtesy of Telstar Logistics on Flickr (which happens to be the best photo-sharing site)

Pie

Multimedia No Comments

Indexed is a great blog made up of piecharts and the like, written to illustrate the author’s unique take on the human situation. Apparently, they write each card in the time it takes to boil the coffee pot.

You’d think the syntax of such charts would reduce experience to mere, cold numbers, but in fact the charm of the concept is that it’s the spaces between, and aroundthe shapes which express something, always something small, about what it is to be alive.

Someone made a video out of many of the cards.

iPlayer hack

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Some BBC content is now available as a DRM-free mp4 file.
You have to pretend to be viewing on an Apple iPhone, but the hack has been made pretty simple with this page.

We all live in D & D

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I never used to play, but here is a great description of how the seminal game Dungeons and Dragons became the template for our Harry Potter loving, Facebook addicted world.
Read it and weep.